Medium Format

03Jun

Kodak T-Max 100 in Caffenol

With Fujifilm discontinuing Acros I’m starting to test other B&W films I haven’t worked with much to see how they fair in caffenol. I have been hoping to find a film as flexible that could be shot from 100-1600iso on the same roll similar to Acros, though that is a tall order. For this roll I shot Kodak T-Max 100 from 100-800iso and developed it in caffenol c-h for 15min at 68f. The 100-400iso shots came out pretty well, though a little thinner than I expected. The 800iso shots were totally unusable, I’m not sure if increasing development time would even fix that, but I might try again and also try caffenol c-l and do that as a semi-stand method. To get the recipes, check out this book.

21Apr

Trip to Kodak Headquarters

When I went back home last summer to shoot the Climb to the Clouds race, Cameron and I had some free time in the days ahead of that event. Part of that time we took to drive from New Hampshire over to Rochester New York so that we could meet up with the Direct of Web Strategy and Development at Kodak, Matt Stoffel. Once we made the 6+ hour drive we stopped in at the Genesee Brew House and waited to meet up with Matt. While waiting, one of the fellow film photographers I know from Instagram, Taylor Hendricks, happened to see Cameron and I were in town and stopped by the brew house to hang out for a bit as well. It was really random to run across another photographer who I had only known through their work online.

Matt later came to meet us at the brew house and brought along a nice Hasselblad, H3 I think it was, as well as some rare and discontinued Kodak films. Cameron, Matt, and myself then headed out to do a short photo walk on our way to the Kodak Headquarters. We were lucky enough that Matt was able to give us an amazing tour through some of their facilities and explain more of the history of the headquarters, company, and what may lay ahead for them in the future. Hopefully Kodak will continue to have a base of support with photographers like myself who enjoy the medium and I’m looking forward to when they bring e100g back to the market. Next time we go back to Kodak, hopefully we can see even more and I should also bring a tripod.

Genesee Falls near downtown Rochester

Cameron with his Bronica ETRSi outside the Kodak Headquarters

Kodak Headquarters

Nice to see you for the first time

Former pool and track for Kodak employees, apparently color tests were also performed in this area

Hallway lined with numerous darkrooms, yes.. I needed a tripod

George Eastman’s grave site

Film production magic happens somewhere in there

At the production facilities

I think Cameron was shoot the Kodak sign and buildings behind it

Random picnic table on some rocks in the middle of the Genesee river

Parking garage near downtown Rochester

Looking over the Genesee River to the Kodak Headquarters

Tighter shot with my 150mm lens instead of the 80mm

Parking garage entrance

Dos bridges

Buildings on State Street

29Mar

AVA Restoration Services

Last summer when I went back to New Hampshire to shoot the Subaru Climb to the Clouds hill climb event, Cameron and I spent a few days prior to that shooting some other things first. We spent some time at his friend and race teammate, Alex’s, garage to shoot some photos and video for his business. My black and white film photos were shot with my Toyo VX125 on Fujifilm Acros 100 and the color photos were shot with my Rolleiflex 6008 on Kodak Portra 400. the This may become my new format of showing photos I’ve shot. I’m thinking to post a couple of my favorites to social media and then post full sets in the blog and then later rotate my favorites into the portfolio.

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